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Phantom Products
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Everyday i have the blues [import]
- 9.99Mississippi born Riley B. King began playing music on the streets of his native Indianola in the '40s, eventually moving to Memphis to pursue a career as a bluesman. He found a home as a DJ on legendary Memphis radio Station WDIA in the early '50s, a position he used to further his budding reputation as a guitarist/singer to be reckoned with. His on-air moniker, "the Beale Street Blues Boy" ultimately metamorphosed into his stage name. He spent the '50s cementing his legend as an energetic performer, playing with Johnny Ace and Bobby "Blue" Bland and on his own. His very modern, urban style was influenced not only by T-Bone Walker, but by jazz guitarist Charlie Christian. King's gestalt was miles away from the blues' rural beginnings, relying on witty, sophisticated lyrics and almost jazzy rhythms. His signature guitar style, as played on his trademark Gibson hollow-body "Lucille," combined quick vibrato with cutting, single-note lines and aggressively bent notes. His boisterous vocals, entertainment-value showmanship and gregarious personality made him beloved not just to blues aficionados, but to the larger pop audience.
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Vol 1:main stage
- 20.99Vol 1:Main Stage
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Sekirei sound stage 01 (ost)
- 31.99Sekirei Sound Stage 01 (Ost)
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Cheap stage 41
- 29.99Cheap Stage 41
![Everyday i have the blues [import]](http://www.pricetronic.com/product_images/2045991/everyday-have-blues-import-296422.jpg)
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Bubblejets on stage
- 18.99Bubblejets On Stage
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3rd stage of decay
- 15.993Rd Stage Of Decay
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On the attack
- 23.83The Cat Empire emerged as a live band. We all grew up playing around Melbourne and we are always most comfortable on a stage.We would always finish gigs and people would say that the energy of the live show was what they wanted to take home on a CD.Alongside this, we wanted to produce a recording that would get our music on radio and other streams that could access a larger audience.So the challenge was to create something that was energetic, vibrant, and alive, but also subtle and decisive.This concept passed by a few different models, but in the end we aimed for simplicity.We recorded all the tracks live, then spent time re-doing vocal takes, and some other additions.We had Andy Baldwin on our team, who was the perfect co-producer and engineer. This album took us 8 months to make, with different parts of it being added in Byron over summer, in Melbourne at studios, at Andy's house and anywhere else we found ourselves.We are pretty happy with the final product. Make up your own minds by getting your hands on a copy.
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