- Phantom Vocal Jazz(4)
- Warner Vocal Jazz(4)
- Jvc Vocal Jazz(4)
- Music Video Dist Vocal Jazz(4)
- Verve (usa) Vocal Jazz(4)
- Document (usa) Vocal Jazz(4)
- Sony Vocal Jazz(3)
- Bmg (japan) Vocal Jazz(3)
- Reprise Vocal Jazz(3)
- Rca Vocal Jazz(2)
- Kultur Vocal Jazz(2)
- Image Entertainment Vocal Jazz(2)
- Koch International Vocal Jazz(2)
- Rhino Records (usa) Vocal Jazz(2)
- Universal Records (japan) Vocal Jazz(2)
- Universal Music Group Vocal Jazz(2)
- Varese Sarabande (usa) Vocal Jazz(2)
- Cbs/epic/wtg Records Vocal Jazz(2)
- Tripp Lite Vocal Jazz(1)
- Toshiba Vocal Jazz(1)
Vocal Jazz Products
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Zoom zs2t zoom s2t zfx stack
- 199Sculpt your tone with high-quality models - Includes a host of 12 classic guitar amps, 5 amazing bass amps, 16 cabinets, 4 microphones, and 41 stomp box effects made famous throughout the years of rock history. : ZFX software that's intuitive to use - Changing amp settings, cabinet layout, mic position and rearranging the stompbox effects are as easy as dragging and dropping : A host of preset patches - Choose from vintage rock tones, country, jazz and blues to ultra modern or heavy metal setups with a double-click of your mouse. Zoom's also pre-programmed 50 specific artist sounds from rock, jazz, blues and heavy metal. : Full control of miking and effects - Whether you want a tight, gritty sound from the center of the speaker cone, a smooth sound from the edge of the cone or more room ambience by pulling the mic away from the cabinet, you can get the setting you want. : Handy built-in tuner - Built-in chromatic tuner lets you quickly tune at any time. : S2t audio interface for more than just guitars - You can also connect vocal mics or keyboards to experience high quality, 24-bit/48 kHz recording resolution : Bundled Cubase LE 4 software - Powerful music production system that can handle recording, editing, and mixing tasks both for audio and for MIDI : For PC only
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Sony cdx-r30m car audio player - cd-r, cd-rw - mp3, cd-da, atrac3plus - 4 - 208w - am, fm
- 112Hit the open seas with Sony Marine! The CDX-R30M CD/MP3 receiver is ready to battle the elements and give you the best of marine entertainment. Featuring a UV resistant finish, this Motion Blade retractable detachable face deck features a coated, waterproof circuit board. Sony has also incorporated several of its features found in their car headunits such as ATRAC3 Plus compatibility which means you can play songs from the Sony Connect Online Music Store! After you download your music (fee based), burn it on to a CD-R or CD-RW and play it in the CDX-R30M. The CDX-R30M features Sonys EQ3 3-band equalizer with seven preset tone curves (Xplod / Vocal / Club / Jazz / Age / Rock / Custom) for complete control of your sound preference. Sony's exclusive Dynamic Soundstage Organizer (DSO) raises the sound stage and makes the music come off the dashboard and smack you square in the face! Hungry for power? How about a whopping 52W x 4 max output! Sonys top-of-the-line SSIR-EXA adaptive tuner receives even weak signals loud and clear. You can even add XM radio for even more listening choices (subscription, tuner, and antenna required to receive satellite radio). Other features include CD / MD Changer Control, front and rear/sub preamp outputs, low-pass filter, and optional wired marine gauge remote (RM-XM10, available separately).
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Lights camera action
- 12.99Lights, Camera, Action: Great Big Bands from the Silver Screen features 30 Big Band tracks from the golden age of cinema. Included are classic movie hits performed by Duke Ellington, Fred Astaire, Artie Shaw, Cab Calloway, Dorsey Brothers, Benny Goodman, Count Basie, Dizzy Gillespie, Larry Clinton, Stan Kenton and featuring vocal performances by Peggy Lee, June Christy, Helen Forrest, Tex Beneke and many more. Lights, Camera, Action: Great Big Bands from the Silver Screen is part of the 10 DVD Jazz Classics Collection. A must-have for any true jazz fan!Song titles: Artie Shaw featuring Fred Astaire - Dig It; Cab Calloway & Orchestra - Minnie the Moocher; Dorsey Brothers - Dorsey Stomp; Benny Goodman Trio - Nice Work if You Can Get It; Jimmy Dorsey & Orchestra - A Whole Bunch of Something; Cab Calloway & Orchestra - Blues in the Night; Stan Kenton & Orchestra - Concerto to End All Concertos; Peggy Lee with Benny Goodman & His Orchestra - Why Don't You do Right?; Stan Kenton & Orchestra - Reuben's Blues; Larry Clinton - Dancing in the Dark; Dorsey Brothers - Alexander's Ragtime Band; Larry Clinton & Orchestra - Semper Fidelis; Cab Calloway & Orchestra - Virginia, Georgia and Caroline; and many more!
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Wilson n-nancy wilson at carnegie hall
- 12.99With a unique vocal style that blends elements of R&B, jazz, pop, blues, soul, cabaret and gospel, Nancy Wilson simply prefers to be called a song stylist . Her accolades are many. Throughout the years, the public, the critics and her peers have rewarded her with great praise, numerous awards and nominations. These include a Grammy, an Emmy, Entertainer Of The Year and winner of Best Female vocalist by both the prestigious Downbeat and Playboy jazz polls. But what really makes Nancy Wilson shine is her flair for combining vocal refinement, elegance and emotional sincerity with dazzling panache. These talents have enabled her to carve out a permanent niche in the music world. V.I.E.W. Video is proud to present this great vocal communicator in a memorable concert with a full string orchestra, direct from Carnegie Hall, the highlight of New York's 1987 JVC Jazz Festival. This one will have you asking for more.
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Definitive collection
- 10.48This lovely assembled 23-track package collects the classic jazzman's most memorable vocal recordings from 1938 until 1967, and arranged in reverse chronological order, literally taking you back through the years as the tracks proceed. Kicking off with Armstrong's ubiquitous postumous hit what A Wonderful World, recorded at one of his last sessions in 1967 just a few years before his death in 1971. The rest of the album is an enlightening trip through four decades of the classic New Orleans jazzman's music, focusing on Armstrong's uniquely gruff, but perennially toothy vocals that were a forerunner for artists as diverse as Howlin' Wolf and Tom Waits. More impressive is his ability to rearrange standards of other, non-jazz genres and make them his own. His joyous duets with Ella Fitzgerald and Bing Cosby exhibit the fun he had singing with friends, and how effortlessly that translated to his recordings. This package features stunningly remastered sound (even the earliest cuts from 1938 are hiss free, full-bodied and remarkably clear), along with a classy 16-page booklet with rare photos and detailed session liner notes. It's not the final word on the prolific and multi-talented musician who some consider the most influential jazzman ever, but is an excellent overall portrait of Satchmo, covering numerous highlights in the career of this legendary American artist.
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Tomorrow today
- 13.99Al Jarreau s unique vocal style is one of the world s most precious treasures. His innovative musical expressions have made him one of the most exciting and critically-acclaimed performers of our time with five Grammy Awards, scores of international music awards and popular accolades worldwide. Tomorrow Today , is his latest album since his release of Best of Al Jarreau , to commemerate 20 years of success. Highlights from the album is a duet with Vanessa Williams on the song, God's Gift to the World . In 1994, Tenderness was released. On this Marcus Miller-produced gem, Jarreau is joined by an all-star cast (David Sanborn, Kathleen Battle, Joe Sample, Steve Gadd, to name a few) to bring us a host of familiar contemporary compositions and to revisit a few Jarreau classics. In 1992, Heaven and Earth was released, which he received his fifth GRAMMY for Best R&B Vocal Performance. With this, he became one the rare artists to have won GRAMMY'S in the three categories of jazz, pop, and R&B.
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Enter the mowo
- 12.99With the release of Enter The MoWo! (the debut title on his MoWo! Inc. imprint), Adam has created an album that represents the culmination of his highly varied musical experiences and relationships. This is the first Mocean Worker record where I feel that I've captured on disc what's always been in my head, he says. In the past, I'd talk about all these artists I grew up knowing, and ended up working with -- Hal Willner, Bill Frisell, or David Fathead Newman -- but then you'd hear my records, and they didn't always accurately reflect where I wanted to go musically. Where Mocean Worker wanted to go musically on Enter The MoWo! was a realm where elements of jazz, funk and electronic music co-exist in a lively, refreshing fashion. The result is an album that merits the generous application of adjectives like sophisticated and playful more than another damn Cole Porter revival, and it's a hell of a lot hipper, to boot. Through the marvels of modern technology, Adam orchestrates a virtual flute battle between the legendary Rahsaan Roland Kirk and Franck Gauthier of French rock band Rinocerose ( Shamma Lamma Ding Dong ). He recasts a classic Nina Simone vocal over a bed of rippling piano and atmospheric beats ( Blackbird ). The tracks that don't rely on the contributions of dead icons are equally engaging: The driving percussion, flamenco guitar and rousing mouth organ of the irresistible hip-shaker Move ; the funky breaks and zany sound effects of the 21st century burlesque classic That's What's Happening Tonight ; the spooky ambience of Only the Shadow Knows.
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Dot com blues
- 10.99It is one of the classic injustices of the music business that credit is not always given where credit is due. The past few years have seen a huge resurgence in the popularity of the Hammond B3 organ. Artists like Medeski, Martin and Wood are now bringing the B3 back into the public eye especially to a younger audience. A mass of wood, pedals, stops and keys, the B3 is not an easy instrument to play but its sweet distinct sound is unmistakable. Not surprisingly, many listeners are unaware of the man who is truly the master of the B3: Jimmy Smith. Smith has not received the attention that his legacy and talents so richly deserve. This album features an all-star cast of supporting musicians including B.B. King, Etta James, Taj Mahal, Dr. John, and Keb Mo, Dot Com Blues proves that though Smith is often thought off as only a jazz organist, he can play the blues with the best of them, which he does literally on this album! The album kicks off with Only In It for the Money, featuring the inimitable Dr. John on vocals and piano. Smith opens the up-tempo shuffle with his trademark blazing organ licks. Next up is the organist's own tune, the funky instrumental 8 Counts for Rita, which has standout solos from Smith and Malone, along with the added flavor of Lenny Castro's percussion. Taj Mahal delivers a scintillating performance on his composition Strut. Comping tastefully behind Taj and Smith for most of the tune, Malone steps to the forefront for a searing solo that is one of the album's high points. Smith grabs the spotlight on the next track, the blues perennial C.C. Rider. In a true meeting of legends, Etta James offers up a smoldering vocal on Willie Dixon's I Just Wanna Make Love To You, confirming that her vocal chords are clearly as strong as ever. Smith's spry playing on this track is ably assisted by the Texicali Horns and Was (Not Was) vocalists Sir Harry Bowens and Sweet Pea Atkinson. The tone of the album shifts wonderfully for the next track to Duke Ellington's Mood Indigo . While listening to playbacks during the session, Smith dozed off momentarily and when he awoke, he immediately corralled the other musicians (including the fabulous John Clayton on upright bass) back into the studio to cut a strong, spontaneous version of this standard. Contemporary blues star Keb Mo, a longtime Smith fan, was thrilled to contribute his vocals and guitar licks to Smith's lowdown rendition of Keb's newly-penned Over and Over. B.B. King was also happy to team up with Smith, and their collaboration, Three O'Clock Blues, finds the old friends reuniting and proving why they are living legends.
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Hal leonard hl 06620117 indian rhythms for drumset
- 24.95Dispelling the mystery and simplifying the complexity of Southern India's classic Carnatic rhythmic system, Indian Rhythms for Drumset is the first book of its kind to apply authentic Indian rhythms to the modern drumset. Written by world-class percussionist and world drumming expert Pete Lockett, the book provides a clear explanation of Indian rhythms and counting systems and gives you a step-by-step resource for adapting and successfully incorporating these concepts into your playing. The book includes a CD that contains easy-to-access MP3 files with Lockett's demonstrations of nearly 200 exercises from the book and also features three play-along tracks mixed both with and without drums. Indian Rhythms for Drumset first explains the history and use of traditional Indian vocal syllables known as solkattu or konnakol to count irregular rhythmic groupings. The book then covers the South-Indian rhythmic approach in particular detail, featuring topics such as phrase development, groove concepts, syncopation, rhythmic modulations, solo concepts and intricate stickings that can be applied to jazz, rock, funk and many other contemporary musical styles. Although the book's exercises are aimed specifically at drumset players, the concepts, analysis, rhythmic systems and explanations of the Indian rhythmic material are also relevant to all types of drummers as well as percussionists, composers, and other instrumentalists.
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The look of love
- 13.98From the luxurious opening chords of the first track, even before Diana Krall has sung a single beautiful note, her new Verve release-The Look of Love-will have you hooked. After winning a Best Jazz Vocal Performance Grammy for 1999's platinum-selling When I Look in Your Eyes, Diana Krall delivers her best album yet-a lush, cinematic collection of ballads and bossa nova tunes. Produced by Verve Music Group Chairman Tommy LiPuma, and featuring the London Symphony Orchestra arranged and conducted by the legendary Claus Ogerman, The Look of Love brings to mind such classic Frank Sinatra albums as In The Wee Small Hours and Only The Lonely. But the elegant piano solos, the sensual vocals, and the wickedly modern sense of humor are, inimitably, all Krall. Claus Ogerman and Johnny Mandel have been my favorite arranger/composers since I was seventeen years old, Diana explains. So I said to Tommy LiPuma, 'wouldn't it be great if we could work with Claus on the next album?' At the time, it seemed simply like another 'what if?' Sure, Ogerman had crafted landmark albums for Sinatra, Barbra Streisand, and Antonio Carlos Jobim, but the German composer had been retired from arranging other musicians' work-concentrating instead on his own piano sonatas and violin concertos-for almost 17 years. Then, when Diana was on tour in Munich, LiPuma arranged for her to have lunch with Ogerman. Struck by Diana's musicianship, and their mutual love of old movies, Ogerman took the project on. The film buff connection proved to be more than a coincidence; it influenced how Krall has grown as a singer. Her voice is richer than it has ever been and so is the feeling underneath each song. There are passages in which she reminds me of Barbara Stanwyck, Ogerman told The Los Angeles Times recently. She's acting the words great, the way Sinatra did. While he was singing, he was acting out the lyrics, and Diana does the same thing. From a smoky rendition of Cry Me A River, to the heartbreaking tenderness of I Get Along Without You Very Well, to a Spanish-language version of Besame Mucho, and her sultry rendition of the title track, The Look of Love is the album that Diana Krall fans have been waiting for. Of The Look of Love, Krall says: I was so creatively pumped. We recorded so many tunes; I wish we could have released a double record... This album is my dream come true.
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Phat pack (w/ bonus dvd)
- 12.99The latest disc from Gordon Goodwin's Big Phat Band, The Phat Pack showcases more of the hot licks that fans have come to know and love. In addition to the playful jazz of such tracks as Whodunnit? and Attack of the Killer Tomatoes , the Big Phat Band teams up with guest vocalist Dianne Reeves, fresh from winning a Grammy for her work on the soundtrack to the Oscar winning film Good Night and Good Luck. In true Rat Pack fashion, Dianne tackles a sexy arrangement of the timeless Frank Sinatra classic Too Close for Comfort that is sure to become a classic in its own right. Her energy is as infectious as her vocal stylization, and if anything rings true for the Big Phat band, it's consistent energy-timeless and classic. Gordon Goodwin comments about this vibe that ran through the creation and recording of The Phat Pack: We in the Big Phat Band have similar aspirations as the original Rat Pack: To bring to our audience a form of timeless, creative music that remains significant. We try to play this music with energy, passion and abandon, and with the same sense of fun that Frank, Sammy and Dean had. We just do it without the tuxedos and the martinis and the cigarettes and the gambling and the guys named Jilly and the showgirls......Showgirls. Hmm. Now there's a thought .
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Williams j-jazz masters series
- 13.99Joe Williams' remarkable smooth baritone voice was one of the wonders of jazz. Considered the last great big band singer, Williams single-handedly revived the fortunes of the Count Basie Band when he joined them in 1954, and he quickly rose to become a star in his own right. Joe performs his best known and most loved songs in this concert including Everyday I Have The Blues. His definitive version of this classic recorded with Basie was placed in the Recording Industry's Hall of Fame. Williams was repeatedly chosen the top male singer in reader's polls for Downbeat and other magazines and this concert was filmed shortly before his album Nothin' But the Blues won the Grammy for Best Jazz Vocal Performance in the 1980's.
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Vol. 2-vocal blues & jazz
- 11.99Vol. 2-Vocal Blues & Jazz
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Entertainment jazz vocal
- 20.99Entertainment Jazz Vocal
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Number 1 jazz vocal album / various (can)
- 18.99Number 1 Jazz Vocal Album / Various (can)
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Jazz icons-sarah vaughan
- 15.99Jazz Icons: Sarah Vaughan features the Divine One in her prime, wrapping her sultry voice around jazz standards such as Lover Man , Misty and I Got Rhythm and soaring on popular showtunes such as Over The Rainbow and Maria . One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday. Sweden 7/9/58 Sometimes I'm Happy Lover Man September In The Rain Mean To Me Tenderly If This Isn't Love Personnel Sarah Vaughan (Vocal) Richard Davis (Bass) Ronnell Bright (Piano) Art Morgan (Drums) Holland 7/6/58 Over The Rainbow They All Laughed Lover Man Cherokee Sometimes I m Happy Personnel Sarah Vaughan (Vocal) Richard Davis (Bass) Ronnell Bright (Piano) Art Morgan (Drums) Sweden 10/1/64 I Feel Pretty The More I See You Baubles, Bangles And Beads I've Got Rhythm Misty Honeysuckle Rose Maria Bill Bailey, Won't You Come Please Home
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In the mood for love
- 12.99In the Mood for Love: Romantic Classics from the Golden Era of Jazz features 28 seductive tracks performed by an impressive array of true jazz legends. Included are performances by Duke Ellington, Lionel Hampton, Louis Armstrong, Lawrence Welk, Count Basie, Teddy Wilson, Les Brown, Louis Prima, and Harry James, among others, with stellar vocal performances by Lena Horne, Sarah Vaughn, Peggy Lee, Doris Day, Bing Crosby, Helen OConnell, Gia Maione, Kathy Carter, and many more! In the Mood for Love: Romantic Classics from the Golden Era of Jazz is part of the 10 DVD Jazz Classics Collection. A must-have for any true jazz fan!
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Footprints
- 13.99Singer Karrin Allyson has never been satisfied merely to repeat herself. With Footprints, her tenth Concord Jazz CD, she fulfills the dream of recording with two of her vocal heroes - Jon Hendricks and Nancy King - while illustrating that she too is undeniably one of today's most distinctive and masterful jazz vocal stylists. The album also introduces Chris Caswell, whose literate, inventive new lyrics bring fresh perspectives to several of the modern jazz perennials featured herein. With a spirit that is, by turns, ebullient and affecting, Footprints shows Karrin Allyson to be a pacesetter among contemporary jazz singers.
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Celebration (bonus tracks)
- 6.99The first album in three years from the hottest player on the NAC and Urban AC scenes, Celebration from Norman Brown shot to #1 NAC in late 1999. Now, with the addition of a scorching-up-the-charts vocal version of Rain , featuring Vesta, it's time for another Celebration. Guitarist-singer-composer-producer Brown is that rare artist who brings together the accomplishment of jazz with the accessibility of soul jazz, R&B and pop, the acclaim of jazz with the popular success of urban adult contemporary. It's time for a Celebration, indeed.
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Groovalicious
- 12.99Groovalicious! sounds like just the sort of thing Austin Powers might say if he heard the deliciously funky, ultra-hip and vibey, retro-jazz-soul flavors on Chris Standring's long awaited follow-up to Hip Sway, his hit 2000 recording which defined the urban-minded contemporary jazz experience as we crossed millenniums. Standring complements his tight ensemble on Groovalicious with standout guest stars on three key tracks. The easy moods of Snowfall feature the emotional duality of Standring's lines with the smoky trumpet cool of smooth jazz superstar Chris Botti. Lee creates gorgeous synth-symphonic textures for the vocal tune Come Back Home, a thumping R&B gem featuring 22 year old breakout talent Ashely Ta'mar's dreamy and soulful declaration of love. The trippy and moody All in Good Time blends Berry's hypnotic bassline with expansive atmospheres and the plucky flute energy of Katisse Buckingham.
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